I've been able to get into the glass studio sporadically on weekends, and have finally finished the last layers of paint and enamel on my Dragon and Girl piece. Now it's ready to be leaded up, and then maybe someone will want to buy it (ha ha.) Anyone want to buy some stained glass? (wheedle)
Dragon and Girl: acid-etched, painted, enamelled, and fired glass. By Maria McMahon, 2014 |
I used amber and then ruby red enamel on the dragon, which came out a nice kind of bronze colour over the brown paint. The little girl's hair is amber enamel, and her flowers are blue, amber, and ruby red enamel.
You want some close-ups? Here you go!
Detail, Dragon and Girl: acid-etched, painted, enamelled, and fired glass. By Maria McMahon, 2014 |
Detail, Dragon and Girl: acid-etched, painted, enamelled, and fired glass. By Maria McMahon, 2014 |
Detail, leafy border, Dragon and Girl: acid-etched, painted, enamelled, and fired glass. By Maria McMahon, 2014 |
Here's the face, which I started last weekend. The stripey look in the background is the camera catching the light table's lights strobing (it happens too fast for the eye to see, but the camera catches it.) It's propped up on 3 pieces of blu-tack. Also pictured: a little bit of my badger brush!
Work in progress, "Metropolis" stained glass, painted & fired glass by Maria McMahon 2014 |
Then this weekend just past, I got some more work done on the face and the body, as well as the first matte layers on all of the background pieces:
Work in progress, "Metropolis" stained glass, painted & fired glass by Maria McMahon 2014 |
Work in progress, "Metropolis" stained glass, painted & fired glass by Maria McMahon 2014 |
This is a kind of different subject for a stained glass piece, I know. I was talking with The Scotsman about it, and came to the conclusion that iconic film imagery seems to fire me up (no pun intended, ha!) a lot more than Biblical stories. No offense to the Bible, but Bible stories and characters have been done in glass for millennia now!
The Metropolis robot was so amazing and ahead of its time, and led to so many other famous film robots (C-3PO, I'm looking at you!) that I feel it has the same kind of resonance for me as images of the Archangel Gabriel might have had to people in Medieval times. Stained glass has always been about using images to tell stories, and I'm following that tradition - telling stories that I find interesting.
There's still a huge amount of work to be done on this piece, but I'm pretty pleased with the way it's coming along. I hope it turns out!
See you next time. Pin It Now!